prn file.Ĭreating a CutContour Swatch in CorelDraw® 4) Anything from a 1 pt – 3 pt line works very well. To avoid white hairlines and ensure a clean edge to your final print/cut graphic, you may add a bleed to the outside edges of your artwork. When you send the file to a Roland DG printer/cutter, the RIP will replace this color with “marching ants” along the cut path, and it will not appear on the print. Once you’ve applied the “CutContour” spot color to your image, the cut path line will appear as a colored line on your screen. 3) and apply it to your cutting path (Instructions for this process follow).
#Make the cut program software
In order for the RIP software to recognize this as a cutting path and not a shape to be printed, you need to create a Spot Color swatch called “CutContour” (Fig. Create a path that defines the exact shape where you want all cuts to occur, including the perimeter contour cut and any cutouts within the graphic. 1) If there are bit-mapped images included in the file, be sure to build the file at the proper size and resolution for your final desired output (Guidelines discussed later in this article). It may be a vector image, or a combination of vector and bit-mapped elements. You may think you’re only doing a t-shirt design, but the client may love it so much they want to put it on their truck next month. The biggest advantage of vector artwork is that it is resolution independent, so graphics can be reprinted at virtually any size. What Programs to Useįor best results, most print/cut pros recommend vector-based graphics programs such as Adobe® Illustrator® and CorelDraw®.
#Make the cut program how to
Read on for details on how to make sure your great piece of art delivers a great print/cut graphic.
#Make the cut program driver
There are specific guidelines you need to follow in order to make sure that the driver recognizes your cut path and accurately processes it. To ensure success, however, is a bit more complicated. Turning your art into a print/cut graphic is simple in theory: you add a spot-color Cutting Path that tells the RIP or device driver exactly where you want your final cut lines. It should have personality, color, detail, and most important, a definitive shape that takes advantage of the impact of print/cut production. The right artwork can be anything from a simple logo to a complex combination of photography and type. And in the world of print/cut, the best graphics begin with a great piece of art. As any chef will tell you, the best recipes start with the right ingredients.
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